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Bulworth (1998)
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Bulworth (1998) Review

This is one of the most bitter, funniest and harshest movies in the 90's. Maybe the most. Warren Beatty, in his fourth film as a director - and his first one as a screenwriter - is great as this democrate, over-exhausted and desperate senator who turns crazy during his campaign and lets down the bla-bla-bla for some real talking.
The beginning, in Washington, is depressive and real funny in the same time: Bulworth cries but he does it watching his own hypocrisy on the screen ('We stand on the doorstep of a new millenium...'). His marriage is a complete failure. Tired and desperate by his own life, disgusted by the empty, senseless and lying speeches prepared for him, he decides to get over all of this and puts a contract on... himself. Then he starts his campaign and arrives in L.A., first in South Central, the Black ghetto, and falls in love with a real beauty (Halle Berry, lately 'Academy-awarded'). He comes back to life and tries to cancel the 'research' he'd started but his contact has a heart attack...
This very funny and inventive story was original enough for having being nominated for an Academy Award for Best Original Screenplay in 1998, along with "Saving Private Ryan", "Life is beautiful" and "Shakespeare in Love". The film gives us many great and raving moments, especially that meeting that degenerates into a rap and hip-hop concert, and that broadcasted, hilarating, angry interview ('Obscenity?'). The soundtrack, 'rappy' and agressive (Dr. Dre, Ice Cube...), is quite unusual in a Hollywood great production, even if it mixes with Ennio Morricone's lyrical, superb partitions (what a great idea!) and with the usual political musical stuff.
On the whole, Beatty makes us laugh as he shoots everything, especially the hard cynicism of the American political and business circles, showing the social and ecological failure of the system ('As long as we can drive a car, the whole planet can die'). He uses comedy and rap music - of course he (maybe) doesn't rap great, Mr. Kelly, but don't forget he's sixty! At his age, he makes a brilliant performance - to get his message through. And he does it so well, with so much strength that the movie was released with no rush and partly censored by the very studio which financed it. In Paris and suburbs, the movie was screened in only six theaters.
But Bulworth doesn't care. He made it.

Bulworth (1998) Overview

Believing his career is over, Senator Jay Bulworth (Beatty) takes out an enormous insurance policy - and a contract on his own life. but his impending death fills him with an outrageous desire to break the rules and tell it like it is.

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