The Omega Man (1971) Review & Ratings

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The Omega Man (1971) Review

The Omega Man is based loosely (and by that, I mean very loosely) on Richard Matheson's classic end-of-the-world novel I am Legend. Taking place in the near future, the Omegan Man imagines a world where the majority of the population has been wiped out by biological warfare. Those that have survived have become albinos who can only come out at night. In a clever touch that has never really been given its due, their leader is a former TV news commentator named Mathias (well-played by Anthony Zerbe who is both sympathetic and threatening). Mathias has declared that the only way to purify the world is to destroy all reminders of their former life and that includes anyone who may not have been infected with the plague. At the beginning of the movie, that would appear to be all of one man -- a former military scientist played by Charlton Heston who spends his days driving through a deserted Los Angeles is search of both a cure and more humans. At night, he hides in his well-lit apartment while Mathias's mob angrily tries to force him out.
The Omega Man is at its strongest in the beginning. The scenes of Heston driving across a deserted Los Angeles (scenes that were shot on actual L.A. street) continue to haunt thirty years after they were first filmed and, for all its inherent camp value, there's something undeniably powerful about seeing the half-mad Heston passing the time by sitting in an empty music theater and watching Woodstock. As well, Mathias' siege on Heston's apartment is also well handled. After this, the film loses its way slightly with Heston predictability getting trapped outside after dark and much of the film's action falls flat. However, uneven as it may be, it all builds up to a truly powerful ending that will shock those raised on the sci-fi films of the '80s and '90s and the final visual image of Heston still packs an incredible amount of power. Despite the fact that Charlton Heston's performance here (and Soylent Green) provided the inspiration for many impressionists, he actually gives an excellent performance. While he spends much of the film gritting his teeth NRA-style, he also brings a very believable sense of fear to the night scenes. Heston doesn't make his hero an obvious hero -- instead of being a standard good guy, mankind's last hope is instead presented as having been driven almost mad by his responsibility.
When it was initially released, the Omega Man got mixed reviews and unfortunately, it has retained some of that negative stigma. When I was a kid and this movie used to play nearly every Sunday afternoon, I thought it was the scariest film ever made. The images of Mathias and his followers with their black robes and pasty faces used to give me nightmares. Now that I'm older, the movie no longer terrifies me but it still carries an undeniable and admirable power. Instead, it is an uneven film that, like many so-called B films of the 1970s, sticks admirably true to its darker than dark designs. For all the critical sniping that the Omega Man has suffered over the years, it is still a film that could teach today's Hollywood directors a thing or two about making an effective movie.

The Omega Man (1971) Overview

Welcome to the future. Biological war has decimated life on Earth. Los Angeles is a windswept ghost town where Robert Neville tools his convertible through sunlit streets foraging for supplies. And makes damn sure he gets undercover before sundown, when other "inhabitants" emerge. The Omega Man adapts Richard Matheson's novel I Am Legend into a high-impact, high-tension saga of a fate not far removed from reality. Charlton Heston is Neville, fending off attacks by The Family, sinister neopeople spawned by the plague. He also becomes a man with a mission after meeting Lisa (Rosalind Cash), another unifected survivor - and guardian of some healthy children representing our species' hope. Year: 1971 Sound: ENG, FR; Subtitles: ENG, FR Screen Format: Side A: Standard; Side B: Wiedescreen

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