The Paradine Case (1947) Review & Ratings

The Paradine Case (1947)
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The Paradine Case (1947) Review

Alida Valli didn't make very many pictures in the USA, but the ones she did are without exception worth seeing.
In Italy, of course, she is as important to the indigenous cinema as Sophia Loren and Gina Lollobrigida put together. But here is the USA, she starred in a mere handful of pictures, and we remember her mainly via her connection to David Selznick, for whom she made THE THIRD MAN and THE PARADINE CASE. THE MIRACLE OF THE BELLS and WALK SOFTLY, STRANGER are also worth seeing. In THE PARADINE CASE, she is on trial for murdering her husband in a stuffy British courtroom, to which her sultry and exotic beauty is continually being counterpointed. She is a bird in a gilded cage all right, literally and figuratively. Gregory Peck falls hard for her, and it's watching how low he goes that makes this film one of Hitchcock's best. He even quarrels with his wife, the cold, perfect Ann Todd, and makes it plain to her and to everyone in their bourgeois social circle that he has fallen in love with his client, thus breaking all the rules in one fell swoop.
He begins to suspect that Valli has been framed, and he begins to suspect Louis Jourdan, Paradine's handsome manservant, of an illicit interest in his master's wife. The scenes between Peck and Jourdan are fiery and full of passion. Each of them is fighting for his life and honor. There is as well an erotic charge between the two of them. In a sense Peck is representing the colonialist who seeks authenticity by embroiling himself in the lives and bodies of a darker and more obviously sexed people, whether they be Italian or French. He gets slapped down for his efforts.
Even if you've seen THE PARADINE CASE fifty times, there's always something fresh to watch, whether it's Charles Coburn acting especially kinky, or Ann Todd from THE SEVENTH VEIL acting masochistic one more time. But most of all the movie is trying to make us see Valli as a new Garbo, who had retired from the screen and whom Selznick believed we would swallow Valli as a successor to. In my opinion, she's greater than Garbo by a country mile.

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