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Exit Wounds (2001) Review

Even predictable action flicks provide good escapism. Some of the predictability does not happen because the script needed another rewrite.
I am a Steven Segal fan. My first choice in films is action. "Exit Wounds" did not disappoint me on either count. However, several undeveloped script elements are just ploys to introduce characters or transition locations. Many of the problems with the movie belong to the screenwriter or film editor. I would have liked to see deleted scenes, which were not included in the DVD special features.
Segal's fight scenes are not overdone: he goes in, gets the job done without excess violence, and walks away calmly. He could be considered a knight of the round table, a Jedi master, a starship captain, or your average guy with extraordinary qualities.
This movie is action driven, but the intelligence that Segal brings to all of his characters shows through. Detroit cop Orin Boyd is a maverick officer, and his one-man shows frequently get him into trouble. The opening scene depicts him using his gut instinct, which is based in deductive reasoning and observation skills. He sees a cop, with a scraped ear, wearing an earring; the patrolman is one of the entourage who is escorting the Vice President from the podium, where he spoke about gun control, back to his hotel. Boyd rescues the VP from an assassination attempt, but instead of gratitude, he is sent from one precinct to another.
Who are these assassins? That inherent question is never answered, though I thought it would be before the movie ended. I see this as an opening gambit to create the plausible impression that "bad cops" were involved. However, even scene setting should have a reasonable answer.
Jill Hennesy is the captain of the new precinct and requires that Boyd attend a "rage class." In the class, he meets Tom Arnold, who is the comic relief, and never fails to do his job right. The classroom and meeting were also just a tool to provide a trusted resource when the investigation of a drug ring left no one to trust. Completely undeveloped is the romance between Hennesy and Segal, though innuendoes and quips pass between the two. A beautiful woman and a virile man, obviously attracted to one another, may have added the sparkle that is missing from most action films; it would have been so natural here, and not taken the focus away from the plot.
DMX, like Segal, carries an aura of calm assurance. He is dynamic and sexy, and could well be another superstar and box office draw. His character is quiet, and his reasons for the involvement in the drug investigation are excellent.
Even with the problems, I know I will watch this movie many more times. Therefore, I give it four stars. If you do not like violent, action packed movies with undeveloped script elements, then you might not like this one.
Victoria Tarrani

Exit Wounds (2001) Overview

A tough but burned-out New York City policeman assigned to a remote Long Island precinct uncovers corruption among his fellow officers there.DVD Features:DocumentaryFeaturetteFilmographiesMusic Video:by DMXTheatrical Trailer


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