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Wonder Bar (1934) Review
I'm not surprised how this movie really turns people off. That's why I love it. I have been this movie's biggest fan for years (I even bought the lovely original poster at auction).The movie--one of the last Warner Bros pre-Code gems (mid-1934 marked the turning point)--runs over the course of one evening in a Paris nightclub. In that time we get: a murder, a suicide, a cover-up, adultery, homosexuality, intergenerational flirting, gold-digging, racism, 2 gigantic Busby Berkeley numbers, Kay Francis and Delores Del Rio standing around looking captivating, and some glamorous art deco sets. This has to be one of the wildest of all the pre-Code films, and certainly one of the "last straws" for the zealous censorship boards that soon got their way and started dictating what Americans could and could not see (hmmm...sound familiar?). If you know how to enjoy good trash when you see it, then you will find the film irresistible.
As for the racist "Goin To Heaven on A Mule" number: yes it is in outrageously poor taste, but considering the smut and indelicacy of the rest of the film, it hardly seems out of place.
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