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Double Life of Veronique (Criterion Collection) (1991) Review
One of Krzysztof Kieslowski's finest films is "The Double Life of Veronique" ("La Double vie de Véronique"). It's not just a philosophical, arty film, but a subtle and unique tale full of Kieslowski's directorial magic, and gives Irène Jacob a chance to shine in her most challenging role.There are two women, the Polish Weronika and the French Veronique (both played by Irène Jacob). They have never met, never spoken, and do not know that the other exists. They share the same losses and the same health. Weronika is a singer, and Veronique is taking singing lessons. But their lives and souls are bound together, and their personalities are yin-yang opposites, one practical and one a stargazer.
What is more, each has the strange feeling that she is, somehow, not alone in the world. One night, Weronika dies onstage while singing. Suddenly in France, Veronique is stricken with a strange feeling, and stops taking her lessons. Weronika has died, but she still lives. Soon she begins to explore, searching for the truth about her double life, and a strange puppeteer who somehow is a link between both girls.
"Double Life of Veronique" is one of those rare films that just begs to be analyzed. Is it about being puppets in some enormous scheme of things? About fate? Sacrifice? Love? One woman's soul in two bodies? Political symbolism? Or is it simply about some mysterious dimension of the spiritual? The symbols and metaphors can be unwound any which way, and in the end they all work. Even the ending is ambiguous -- is it happy, or sad?
Krzysztof Kieslowski's direction is impeccable. His use of light and shadow, and the atmospheric music, make "Double Life" practically a work of art. He dots "Double Life" with plenty of little hints about the inner states of the characters. The stars and leaves, for example, hint at the personalities of Weronika and Veronique -- one a dreamer, one down-to-earth. Kieslowski also used a minimalist approach to dialogue, often using pauses and silence that speak louder than the ordinary words.
At times this film seems like a love letter on film to Irène Jacob. Not only is she followed constantly by the camera, but her character is difficult but rewarding. Jacob shines without really seeming to, with the emotion and wonder of a small child in an adult body. Philippe Volter's aura of mystery adds to his excellent acting in his too-brief scenes. Unfortunately, few of the other characters are given much dimension -- the whole focus is on Weronika and Veronique.
This bewitching tale of love, loss, and interconnected souls winds a spell around this film. Interpret it as you will. Kieslowski's "Double Life of Veronique" is exquisite.
Double Life of Veronique (Criterion Collection) (1991) Overview
This ravishing, mysterious rumination on identity, love, and human intuition remains one of the most beloved films of Krzysztof Kieslowski (Decalogue, the Three Colors trilogy). Irène Jacob (Red, Othello) is incandescent as both Weronika, a Polish choral soprano, and her double, Véronique, a French music teacher. Though unknown to each other, the two women share an enigmatic, purely emotional bond, which Kieslowski details in gorgeous reflections, color, and movement. The Double Life of Veronique is an unforgettable symphony of feeling.Want to learn more information about Double Life of Veronique (Criterion Collection) (1991)?
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