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Because You're Mine (1952)
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Because You're Mine (1952) Review

This was MGM superstar Mario Lanza's fourth film, in 1952, after which he and the studio parted company in a dispute over his participation in their upcoming film "The Student Prince." Lanza didn't care for the script of "Because You're Mine," which took his character of a world-famous opera tenor (what else! ) and drafts him into the U.S. Army, as a humble (well, not so) private. There are the usual Lanza romantic entanglements, notably with Doretta Morrow, and some good scenes with veteran character actor James Whitmore (of "Give 'em Hell, Harry" and, in recent years, Miracle Gro fame) as the opera-loving top Sergeant who makes a better man out of the tenor. What saves the film is a nice selection of songs, from the title song which became a big hit for Lanza, to opera arias, and the songs Mamma mia, Granada and the Lord's Prayer. Naturally, Mario sounds great. So, if you don't mind the unlikely plot, this can be a pleasant way to spend a few hours. Incidentally, one of my song-and-dance favorites, Bobby Van, is in it, too.

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