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White Heat (1949) Review
"White Heat" is unusual in that it is a genre film that is also widely considered to be film noir. It's immistakably a gangster film, yet it deviates from the conventions of that genre in that its main character, Cody Jarrett, is complex and introverted enough to be a noir protagonist. "White Heat" was masterfully directed by Raoul Walsh and features James Cagney in one of this most memorable gangster roles. Treasury Department investigator Philip Evans (John Archer) is hot on the trail of the notorious criminal Cody Jarrett (James Cagney) after the Jarrett gang has robbed a mail train, killing several people and making off with a substantial sum. In order to guarantee himself immunity from the multiple murder charge, Cody confesses to an out-of-state robbery that took place at the same time, for which he receives a couple of years in prison. But the Feds are wise to his scheme and place an undercover agent (Edmond O'Brien) in the cell with Cody, hoping to learn the identity of the person who launders money for the Jarrett gang.The psychology of Cody Jarrett is the most striking aspect of "White Heat", and the element around which the story revolves. We are told by the federal investigators that Cody is actually "insane". He is bloodthirsty and so unstable that his pursuers fear that he will go completely off his head before they can learn anything from him. Cody also has a pathologically dependent relationship with his doting and equally ruthless mother, who is played to perfection by Margaret Wycherly. Cody is such an extreme personality that James Cagney's ability to make him completely believable is remarkable. The "good guy" undercover cop, Hank Fallon, is bland and submissive, which only increases our focus on Cody. Another striking characteristic of "White Heat" is its technophilia: The film spends a great deal of time demonstrating cutting edge surveillance technology that is used to track Cody. Cody is defeated more by technology and bureaucracy than he is by his own lunacy.
The DVD: Bonus features include a documentary about the film, a theatrical trailer, an audio commentary by author and film professor Dr. Drew Casper, and a "Warner Night at the Movies" prelude to the film. If you have time, "Warner Night at the Movies" is a nice feature. With an introduction by Leonard Maltin, Warner Brothers provides a nice collection of mini-features that emulate the now-defunct tradition of showing a cartoon, a short, a newsreel, and a trailer with every theatrical film. "White Heat" was released in 1949, so we have, from 1949: a trailer for the film "The Fountainhead" (2 minutes), a newsreel of the year's highlights (1 1/2 minutes), a short "Joe McDoakes" comedy, called "So You Think You're Not Guilty" (10 minutes), based on the old vaudeville routine "Pay the Two Dollars", and a Bugs Bunny cartoon called "Homeless Hare" (7 minutes). You can also watch the featurettes separately if you like. "White Heat: Top of the World" (16 minutes) features interviews with filmmakers, critics, and theorists, including Martin Scorsese and Alain Silver, in which they discuss the film's themes, James Cagney's role, and the characters of Cody, Ma, and Cody's wife Verna, played by Virginia Mayo. The audio commentary by Drew Casper approaches "White Heat" as a gangster film, not as film noir, as this seems to be Dr. Casper's area of expertise. Casper talks about how the film was promoted, James Cagney, Freudian influences, themes, and analyzes director Raoul Walsh's style for some scenes. Subtitles are available for the film in English, Spanish, and French.
White Heat (1949) Overview
In his last role as a heartless gangster, James Cagney embarks on the prison break of a lifetime in this chilling tale that features one of the most riveting finales in movie history.Want to learn more information about White Heat (1949)?
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