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Umberto D. (The Criterion Collection) (1955)
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Umberto D. (The Criterion Collection) (1955) Review

In 1980 I saw this film at Chapter Arts centre in Cardiff after a lecture from aged but legendary film critic Dilys Powell. She had Umberto D (about a man and his dog for goodness sake) down as her favourite movie of all time. And you've got to remember that she had sat through about 35,000 films in her lifetime. As you might imagine I was fairly intrigued at this prospect. The reality is that this film genuinely delivers like no other, if you like your heart shaken and stirred with something authentic. Now I cry fairly easily at movies when the going gets tough, but this one is truly in a class of its own. In fact the final scenes are so painful and poignant that even 20 years later I cannot recall them without emotion. But ironically this film leaves you feeling better than when you went in about the human spirit, and that's why I think it's ultimately so great.

Umberto D. (The Criterion Collection) (1955) Overview

Shot on location with a cast of nonprofessional actors, Vittorio De Sica's neorealist masterpiece follows Umberto D., an elderly pensioner, as he struggles to make ends meet during Italy's postwar economic boom. Alone except for his dog, Flike, Umberto strives to maintain his dignity while trying to survive in a city where traditional human kindness seems to have lost out to the forces of modernization. Umberto's simple quest to fulfill the most fundamental human needs-food, shelter, companionship-is one of the most heartbreaking stories ever filmed and an essential classic of world cinema.

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