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Midnight Clear (1992) Review
As I saw this film and Castle Keep again recently, I thought about Stanley Weintraub's book Silent Night in which he discusses a brief period prior to Christmas in 1914, on the battlefields of Flanders, when German and British soldiers spontaneously agreed to declare a truce and suspend fighting, thereby defying their commanding officers. Centuries ago, knights and their attendants would work with their enemies to clear a field for combat the next day. Such cooperation had an obvious practical value. That's not what interests Weintraub as he examines a temporary truce during one of the bloodiest wars ever fought. It had little (if any) practical or tactical value but it did (and does) suggest a human need which transcends military obligations. However, war is war. After a brief respite, the carnage inevitably resumes.A Midnight Clear was directed by Keith Gordon and is based on William Wharton's autobiographical novel. Rather than featuring a star such as Burt Lancaster (as in Castle Keep), the lead roles in this film are played by those normally seen in supporting roles. For example, Kevin Dillon, Ethan Hawke, and Gary Sinise. They and all others in the cast are first-rate. Basically, here's the situation. An elite U.S. Army intelligence unit is given a reconnaissance mission in the Ardennes Forest in December of 1944, just before the Battle of the Bulge. The men in the platoon may be far from home as Christmas approaches, lonely and miserably cold, but they retain a certain playful spirit comparable with what Robert Altman celebrates in M.A.S.H. They encounter a German unit and then....
While seeing this film the first time and then again recently, I felt as if I were dreaming that I had returned to the 1940s in a time machine, to Belgium near the end of World War Two. Credit Tom Richmond's cinematography with creating an uncommonly beautiful setting for the savage combat which occurs there, as does John Mathieson during the "Hell Unleashed" sequence early in Gladiator. The dreamlike atmosphere continues throughout as the men suspend and then resume their own involvement in the war. This is a haunting film, at times an exquisitely lovely film, but also one which raises some serious questions. Why not throw snow balls instead of grenades, then treat each other to a round of drinks? Why not celebrate Christmas together, exchanging gifts and singing carols, as their ancestors once did on Christmas Eve in 1914, on the battlefields of Flanders? Doesn't all that make much more sense than killing each other? Of course. It's just that....
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