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Eric Rohmer's Six Moral Tales (The Criterion Collection) (1971) Review
Criterion has provided us with the nicest French cinema bonanza since their Antoine Doinel cycle set of a few years ago. These Rohmer chat-fests are a litmus test for cinephiles. American Nouvelle Vague-inspired '60's director Arthur ("Bonnie and Clyde") Penn had mouthpiece Gene Hackman say in Night Moves: "I saw a Rohmer film once. It was like watching paint dry." On the other hand, Rohmer is Quentin Tarantino's favorite director. (Weird as that seems, they share a love of discursive dialog). These movies basically follow a formula -- deeply confused men, snared up in conflicts between flesh and spirit (usually represented by the two women in their lives), work out their confusions through marathon conversations. Like the much-used Henry James analogy, the viewer will either find these moral pilgrimages-though-talk tiresome or transcendant, depending on your attention span. Meantime, stunning cinematography (usually by natural light wizard Nestor Alemndros) pin-points seasonal changes with subtle shadings. These are connisoeur's works, and if you dont know 'em, sample some on Netflix before buying unseen based on reputations. Like Henry James' novels, you either reject 'em out of hand, or else become addicted. This reviewer is an addict, of course.Eric Rohmer's Six Moral Tales (The Criterion Collection) (1971) Overview
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