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Rossini - Semiramide / Conlon, Anderson, Horne, Metropolitan Opera (1991) Review
Finally, Rossini's greatest musical drama reaches the dvd screen with a cast and production worthy of the music and its composer. Critics praised Horne's performance but with reservations but the audience had no reservations in its acclaim and I was fortunate to have been at the last performance of the series. Unfortunately I did not enjoy the presence of Anderson and Olson, superior in every way to their replacements. Olson is one of the few bel canto tenors who can sing Rossini without sounding coarse,thin and labored. Olson is like a lighter voiced Vargas. Merritt is out of the running when we have Olsen to sing with such security and beauty. Cuberli was good but Anderson I find stunning in her coloratura, tone and security. No one but Caballe sang it with such security and with even more beauty of tone and timber. The Met never deemed to bless us with Sutherland in the role of Semiramide, (She and Horne made the opera present to the twentieth century. The lack of their presence at the Met in this opera is lamentable but the Met is good at that.) All in all then a peforance to cherish, a real treat! And Ramey is breathtaking in his coloratura, power, declamation with a timber that is velvet wrapt in silk. His "mad scene" in Act II is a tour de force and there is no one I have heard who can touch him in the role of Assur. Horne is astonishing in every category of voice, clarity and sheer beauty. The four leads sing the roulades and leaps with effortless ease with the drama intact. Only Ewa Podles can do this punishingly role any better and the Met doesn't seem to know of her in spite of her concert some seasons ago in a evening of Rossini arias with full orchestra at Carnegie Hall. From all revues that was a performanace for all seasons. The other roles have less time and music but all quit themselve with dignity. Rally no wink link in the cast. Conlon and the Met orchestra perform miracles that are too often taken for granted. This tape performance is better than the performance I saw (they must have been exhausted by the final performance) and we are blessed that this was the one we have on dvd for prosperity. Anyone who hasn't as yet heard this, is in for a vocal, musical and dramatically thrilling evening. Buying it is a personal choice, but hearing it is the duty of anyone loving beautiful music superbly sung, and played with brilliant warmth and musicality. Rossini must be screaming from above with bravos and kudos like the audience on the dvd and at the performance I attended. Probably one of the best dvd's yet to be produced and likely never to be surpassed. The scenes are dark but so was the production in the house. Listen toit! Buy it! Steal it from friend. But by all means hear it and then again. I don't think you'll be sorry.Rossini - Semiramide / Conlon, Anderson, Horne, Metropolitan Opera (1991) Overview
Filmed at New York's Metropolitan Opera, John Copley's production of Rossini's last, longest and most elaborate work for the Italian stage brings together what many consider the definitive contemporary cast, led by Marilyn Horne and June Anderson. Semiramide, a strong and melodious work, is one of Rossini's greatest dramatic operas, offering a fine challenge to the superb contralto and soprano bel canto singing of Ms. Horne and Ms. Anderson. Sanford Olsen, Samuel Ramey, Marilyn Horne, June Anderson. James Conlon conducts the Metropolitan Opera Orchestra and Chorus. 220 minutes.Want to learn more information about Rossini - Semiramide / Conlon, Anderson, Horne, Metropolitan Opera (1991)?
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